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A Pigeon Sat on a Branch Reflecting on Existence
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A Pigeon Sat on a Branch Reflecting on Existence : ウィキペディア英語版
A Pigeon Sat on a Branch Reflecting on Existence

''A Pigeon Sat on a Branch Reflecting on Existence'' ((スウェーデン語:En duva satt på en gren och funderade på tillvaron)) is a 2014 Swedish comedy-drama film directed by Roy Andersson. It is the third part in his "living"-trilogy, following ''Songs from the Second Floor'' and ''You, the Living''. It premiered at the 71st Venice International Film Festival〔(【引用サイトリンク】title=International competition of feature films )〕〔(【引用サイトリンク】title=Venice Film Festival Lineup Announced )〕 where it was awarded the Golden Lion for Best Film. It was selected as the Swedish entry for the Best Foreign Language Film at the 88th Academy Awards.
Its title is a reference to the 1565 painting ''The Hunters in the Snow'' by Pieter Bruegel the Elder. The painting depicts a rural wintertime scene, with some birds perched on tree branches. Andersson said he imagined that the birds in the scene are watching the people below and wonder what they are doing. He explained the title of the film as a "different way of saying 'what are we actually doing', that's what the movie is about." At the Venice Film Festival, Andersson said that the film had been inspired by the 1948 Italian film ''Bicycle Thieves'' by Vittorio De Sica.〔(【引用サイトリンク】title=Roy Andersson film scoops Venice Golden Lion award )
== Plot ==

The movie consists of a series of mostly self-contained tableaux, sometimes connected by recurring themes or characters. The story loosely follows two traveling novelty salesmen, Jonathan and Sam, who live in a desolate flophouse, and their unsuccessful attempts to win customers for their joke articles (vampire teeth, laughing bags and a monster mask). There is no main storyline in the traditional sense.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「A Pigeon Sat on a Branch Reflecting on Existence」の詳細全文を読む



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